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arts: theatre review
      A different coming of age





      A sell-out play starring Sarah Gordy tells the story of a young
      woman breaking free of the social and family constraints
      imposed by her disability. Tracey Harding takes a seat



           heatre for people with learning   Their close relationship becomes
           disabilities is a rarity and usually   strained when Kelly meets her boyfriend
       Tconfined to small arts theatres. This   Neil (Ian Bonar), who does not have a
       is certainly not the case with Jellyfish by   learning disability. Kelly’s mum questions
       Ben Weatherill.                     why Neil would be interested in her
        Jellyfish sold out at the Bush Theatre   daughter; she worries about exploitation
       where it premiered in 2018. Having   and Kelly’s abilities to deal with the
       received widespread acclaim, it transferred   emotional complexity of a relationship.
       to the National Theatre in July this year.   What Agnes is really struggling with are
        Part of its success can be attributed to   the ways that her daughter is maturing,
       actor Sarah Gordy recreating the main role   and the realisation that Kelly does not
       of Kelly. Weatherill, who won the Pitch   need her in the same way as before.
       Your Play Award for young playwrights run   Weatherill cleverly shows her emotions
       by London’s Theatre Royal Haymarket and   are felt by all parents, regardless of the   She swears like a trooper – she tells
       Curve Theatre Leicester’s Playwriting   child’s ability or disability.   hilarious dirty jokes that make the shy,
       competition, wrote the part for her.  Some scenes highlight Agnes’s role as the  insecure Neil seem immature. When Neil
        He was familiar with her work on TV and   mother of someone with Down syndrome.   is concerned about having sex in Kelly’s
       theatre, and Gordy was involved in the   She has spent years caring for her daughter  mother’s house, Kelly pipes up: “Do you
       development of the play from the outset.  and understands that, while she has always  hear that? It’s my virginity screaming ‘shut
        Jellyfish is the story of Kelly, a young   seen Kelly as an individual, the rest of   the fuck up!’”
       woman with Down syndrome who lives in   society makes assumptions and judgments   In an interview with Metro this summer,
       the seaside town of Skegness with her   on how she is expected to behave.  Gordy said how much she enjoyed playing
       mother Agnes (Penny Layden). They have                                   the character of Kelly: “There is one thing
       walked the same stretch of beach every   Sex and stereotypes             that Kelly and I have in common, which is
       day for 15 years, eating ice cream and   Exploring areas for people with learning   our sense of humour, but our lives are
       hunting for crabs.                  disabilities that are often considered   different because in mine there are more
                                           difficult or inappropriate is a thread that   opportunities, which Kelly has not had.”
                                           runs through the play.                 Showing further that he does not define
                                             Kelly defies the stereotypes of how   his characters by their disability,
                                           people expect her to be as a woman with   Weatherill includes Dominic, who delivers
                                           Down syndrome. She is extremely self-  the funniest lines but who also happens
                                           confident, and it is she who pushes the   to have Asperger syndrome. He is played
                                           relationship with Neil forward, particularly   by Nicky Priest, who is himself on the
                                           the sexual side. Kelly seems determined to   autistic spectrum.
                                           resist the social assumptions that people   Kelly’s mother sets him up on a blind
                                           with learning disabilities are vulnerable,   date with her daughter, but they end up
                                           and brazenly asserts her sexual autonomy.   as friends who openly discuss their
                                                                                disabilities and the way they shape how
                                                                  Sarah Gordy at
                                                                  the Bush      others judge them.
                                                                  Theatre,        More challenging discussions arise in
                                                                  including with   later scenes when Kelly falls pregnant,
                                                                  Penny Layden,   raising ethical questions about whether
                                                                  who plays her   Kelly is capable of keeping the baby.
                                                                  mother          When interviewed at the Bush Theatre
                                                                                premiere, Weatherill said he wrote the
                                                                                play “because I’m really interested in
                                                                                putting voices and narratives in plays that
                                                                                we don’t usually see, and I want to be
                                                                                part of that conversation”. In Jellyfish, he
                                                                                has achieved an engaging, entertaining
                                                                                way of presenting those voices to a
                                                                                wider audience.
    Sam Taylor                                                                  l Jellyfish is on at the Leeds Playhouse on
                                                                                28-30 November 2019

       www.cl-initiatives.co.uk                                            Community Living  Vol 33 No 1  |  Autumn 2019  29
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